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THEATRE, OPERA AND TV DIRECTOR
I was born on October 19, 1968, in Zagreb, where I completed my primary and secondary education. I also attended the School of Classical Ballet and Rhythmics in Zagreb. I continued my education as a classical ballet dancer at the prestigious Moscow Academic Choreographic College (MAXY / Bolshoi theatre ). I completed a two-year postgraduate training in Moscow, but after a serious foot injury, I interrupted my career as a ballerina and returned to Croatia.
Later, I enrolled in Theatre Directing at the Academy of Dramatic Arts in Zagreb and earned a degree as a theatre director. I have been professionally involved in directing since my second year of study.
I have also been a long-time collaborator with the Croatian Radio Television (HRT) as a director of the dubbing of animated and live-action series, as well as a director of special projects. Since 1997, when I started working at HRT, I have directed more than 350 various animated and live-action series. I am also employed at HRT as a permanent associate stage director of special projects. As a stage director, I have directed the presentation of the Croatian Theatre Award four times. I have also directed the opening ceremony of the Pula Film Festival's 50th anniversary and the Croatian selection for the Eurovision Song Contest, DORA, three times.
From November 6, 2004, to August 17, 2006, I served as the director of the Istrian National Theatre (INK) in Pula. During my tenure, the theatre produced numerous plays with the biggest names in Croatian and regional theatre, and received awards at the Italian festival in Cividale and at the festival in Tivat, Montenegro.
From April 14, 2013, to February 11, 2014, I served as the director of the Opera at the Ivan pl. Zajc Croatian National Theatre in Rijeka. During my tenure as the Opera Director, many domestic and foreign distinguished opera singers and directors were engaged.
Many of the plays that I directed have been featured at international festivals and in Croatia. Some notable titles that I directed as a theatre director are:
SNG DRAMA MARIBOR / RDEČA KAPUCA / M. BORIN
ZKM / ČAROBNJAK IZ OZ-a / L. F. BAUM - N. BOGDANOVIĆ
HNK ZAGREB / GOSTIONIČARKA MIRANDOLINA / C. GOLDONI
HNK I.PL.ZAJC RIJEKA / LA FINTA AMMALATA / C. GOLDONI (tal.drama)
/ SVIJETLEĆI GRAD / F.LHOTKA - KALINSKI - OPERA
HNK SPLIT / LIBRETO / I. ŠKORIĆ
DG GAVELLA / POLJUBAC ŽENE PAUKA / M. PUIG - V. STOJSAVLJEVIĆ
/ GOSPODAR SJENA / D.J. BUŽIMSKI
ITD / LJUBAVNA PISMA STALJINU / J. MAYORGA
/ NEGDJE DALEKO / C. CHURCHILL
GK TREŠNJA / VELIKA OČEKIVANJA / C. DICKENS - D. LUKIĆ
/ ZLATAROVO ZLATO / A. ŠENOA - Z. KISELJAK
/ POSTOLAR I VRAG / A. ŠENOA - Z.KISELJAK
SATIRIČKO KAZALIŠTE KEREMPUH / OPĆA BOLNICA / H. BOJČEV
NP TUZLA / ZMIJSKO LEGLO / V. SIGAREV
/ IGRAJUĆI ŽRTVU / BRAĆA PRESNJAKOV
ZKL / PEPELJUGA / PERRAULT - Ž.UDOVIČIĆ-PLEŠTINA
/ ALADIN I ČAROBNA SVJETILJKA / A. GALLAND - Ž.UDOVIČIĆ-PLEŠTINA
/ CVILIDRETA / BRAĆA GRIMM / Z. KISELJAK
/ TRNORUŽICA / BRAĆA GRIMM / N. BOGDANOVIĆ
GK ŽAR PTICA / SIROMAH I VRAG / NARODNA PRIČA - Z. KISELJAK
/ WAITAPU / J. HORVAT - Z.KISELJAK
/ INDIJANSKA PRIČA / Z. KISELJAK
/ TAJNI DNEVNIK ADRANA MOLEA / SUE TOWNSEND
GD HISTRION / IGRA U DVOJE / T. STROZZI - D. DELBIANCO
/ USPJEH PREKO NOĆI / D. MAMET
VLASTITA PRODUKCIJA ,PAROMLIN,ZG / SALOMA / O.WILDE - V.STOJSAVLJEVIĆ
MALA SCENA / LJUBAF / SCHISGALL
SCENA GORICA / PILOWMAN / M. McDONAGH
PLANET ART TEATAR / LJUBAVNA PISMA STALJINU / J. MAYORGA
TEATAR RUGANTINO / SLUČAJNI SUSRET U SEX-SHOPU / P. TURRINI
V gledališču ime in priimek ne pomenita veliko - Delo
https://www.delo.si/nedelo/v-gledaliscu-ime-in-priimek-ne-pomenita-veliko/
https://www.nacional.hr/jako-je-tesko-odvojiti-privatno-od-poslovnog-jer-zivimo-s-kazalistems/
Ocenjujemo: Rdeča kapuca - Delo
https://www.delo.si/kultura/ocene/ocenjujemo-maja-borin-rdeca-kapuca-sng-maribor/?fbclid=PAAab4d9II2XGJuhegBO9dH4LGrTpxBH01Zg1RJRmgjOGb0n8PkINz0P_kd-k
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RDEČA KAPUCA / SNG DRAMA MARIBOR {gallery width=80 height=80}kunstler/sasa_broz/rdeca_kapuca{/gallery}
TAJNI DNEVNIK ADRIANA MOLEA / GK ŽAR PTICA {gallery width=80 height=80}kunstler/sasa_broz/dnevnik{/gallery}
ČAROBNJAK IZ OZ-a / ZKM {gallery width=80 height=80}kunstler/sasa_broz/carobnjak{/gallery}
Michael Capasso is the General Director of the New York City Opera. He has produced, directed, and toured opera and musical theater productions in the U.S. and abroad for over 40 years. In June of 2014, along with philanthropist Roy Niederhoffer, he led the successful effort to bring the New York City Opera out of bankruptcy, laying the artistic, administrative, and fiscal groundwork for the company’s future. The revitalized New York City Opera returned to the stage in January 2016 with a celebratory production of Tosca. The company is once again on solid financial footing and producing full seasons of opera, concerts, and educational programming, with a special concentration on City Opera’s long legacy of producing new and innovative opera, refocused through a modern lens. Current company programming efforts, which have included seven New York, U.S., and world premieres since 2017, seek to reflect the diverse tapestry of New York City through ongoing initiatives: Ópera en Español, LGBTQ+ Pride Series, an ongoing partnership with the National Yiddish Theatre Folksbiene, and a celebration of Black excellence.
Mr. Capasso began his career producing and directing while still in his late teens and early twenties. In 1981, he, along with Diane Martindale, founded New York’s Dicapo Opera Theatre. In 1995, Capasso conceived and designed a permanent home and performance space for the company, repurposing the lower level of the St. Jean Baptiste Catholic Church on Manhattan’s East Side, and transforming the large, unused space into a 204-seat “jewel-box” theater. Drawing on his background in construction, he was involved in every facet of the project, even personally manning heavy equipment to dig the orchestra pit. Over the 30 years of his leadership, Dicapo Opera Theater presented a diverse programming to the New York public, and, in cooperation with the Armel Festival, premiered three productions of contemporary American operas in Europe. In celebration of the 75th anniversary of George Gershwin’s Porgy and Bess, Capasso mounted a production which began touring in the United States in February 2010. An acclaimed stage director, Mr. Capasso has directed over 100 productions of opera and musical theatre in the U.S. and internationally, including multiple regional, U.S., and world premieres with both Dicapo Opera and New York City Opera, including as recently as 2022 when he directed and produced the world premiere of Ricky Ian Gordon and Michael Korie’s The Garden of the Finzi-Continis. One of the foremost living Puccini experts, Mr. Capasso has directed every operatic note the maestro wrote, including all three versions of Madama Butterfly and the American staged premiere of Edgar.
As an author, his writing credits include: a staged adaptation of Dickens’ A Christmas Carol; Opera Senza Rancor, a satire on the world of opera; Puccini’s Passion, a biographical play with music on the life and career of Puccini; a new book and libretto for La Périchole; English librettos for Die Fledermaus and The Daughter of the Regiment; and a concert/lecture series for the New York Historical Society. Capasso’s film on the life and career of Enrico Caruso, which he wrote and produced, aired on the A&E Network’s Biography series in 1998. Other film credits include his direction of scenes from Nabucco for the feature film The Secret Lives of Dentists.
In 2016 Capasso was awarded an honorary Doctorate from the College of Mount Saint Vincent and the “Legends of the Arts” award from the Harvard Club. He has received New York City’s Ellis Island Medal of Honor, The Licia Albanese-Puccini Foundation’s Lifetime Achievement Award, and the Leonardo Da Vinci Award for Cultural Achievement from the Italian Heritage and Culture Committee of New York. In 2004, he was named “Man of the Year” by the Italian Welfare League and in 2009 received a Special Lifetime Achievement Award in the Arts from the Order Sons of Italy in America.
Mr. Capasso holds dual U.S. and Italian citizenship and speaks fluent Italian. His videos on Italian cooking are available on YouTube.
Michael Capasso Directorial Repertoire
Barber
Vanessa
Bellini
Norma
Bizet
Carmen
Francesco Cilluffo
Il caso Mortara*
de Falla
La vida breve
Donizetti
Il campanello^ (original version)
L'elisir d'amore
Lucia di Lammermoor
Carlisle Floyd
Susannah
Ricky Ian Gordon
The Garden of the Finzi-Continis*
Gounod
Faust
Roméo et Juliette
Lehár
The Merry Widow
Leoncavallo
Pagliacci
Mascagni
L'amico Fritz
Cavalleria rusticana
Massennet
Werther
Menotti
Amahl and the Night Visitors
The Consul
The Saint of Bleecker Street
Montemezzi
L'amore di tre re
Offenbach
Les contes d’Hoffmann
La Périchole
Thomas Pasatieri
God Bless Us Everyone (co-librettist)
Tobias Picker
Dolores Claiborne
Fantastic Mr. Fox
Thérèse Raquin
Puccini
La bohème
Edgar (American staged premiere)
La fanciulla del West
Madama Butterfly (all three versions: La Scala, Brescia, and Paris)
Manon Lescaut
La rondine
Tosca
Il trittico (Il tabarro, Suor Angelica, Gianni Schicchi)
Turandot
Le Villi/Messa di Requiem
Rachmaninoff
Aleko
Rossini
Il barbiere di Siviglia
La Cenerentola
J. Strauss
Die Fledermaus
Tchaikovsky
Iolanta
Verdi
Aida
Falstaff
Nabucco
Rigoletto
La traviata
Il trovatore
Robert Ward
Claudia Legare
The Crucible
Wargo
A Chekhov Trilogy
Weill
Street Scene
The Threepenny Opera
*WORLD PREMIERE
^AMERICAN PREMIERE
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Productions Directed by Michael Capasso:
✓ = NEW LINKS
✓ Aleko/Pagliacci, New York City Opera, 2016
https://youtu.be/QjahXr6FyiY
The Garden of the Finzi-Continis, New York City Opera, 2022
**Unlisted, not for public consumption – internal use only**
https://youtu.be/CEX2fG6CwR0
✓ Tosca, New York City Opera, 2016
https://youtu.be/pQfoyFG6fJg
✓ Turandot, Opera Hong Kong/New York City Opera, 2018
https://youtu.be/E6D-yJnHPRY
✓ DICAPO at 30:
Featuring many clips of dicapo Opera productions directed and produced by Michael
https://youtu.be/tMXTm_VzdBI
✓ Caruso mini-Documentary Directed and Produced by Michael:
The Immortal Caruso: 100 Years After His Death
https://youtu.be/axLWiRb0u2c
Miscellaneous NYCO Trailers and Highlight Reels (producer):
NYCO Spring 2016 Season: A Look Back
https://youtu.be/k7nQJXEFVWs
New York City Opera: La Campana Sommersa: Opening Night Highlights
https://youtu.be/VOCvrVmQNfg
New York City Opera: La fanciulla del West Preview
https://youtu.be/8wdhpFP4EXw
New York City Opera: Cruzar la Cara de la Luna
https://youtu.be/rbu_-oVN7xI
A preview of New York City Opera's María de Buenos Aires
https://youtu.be/dH6mlTZCHwI
Highlights from New York City Opera’s 2019 production of Stonewall
https://youtu.be/Y60J7CQvil0
Dear Erich
https://youtu.be/D53ZJY59euw
The Garden of the Finzi-Continis Teaser (UNLISTED, INTERNAL USE ONLY)
https://youtu.be/CEX2fG6CwR0
All Is Calm: The Christmas Truce of 1914
https://youtu.be/wsjJIEER4k4
New York City Opera 2022 In Review
https://youtu.be/Y39HeT4m6-g
https://operatheatremadlenianum.com/robert-boskovic
https://dulist.hr/novi-uspjeh-dubrovcanina-robert-boskovic-potpisao-ugovor-s-netflixom/684279/
https://nova.rs/kultura/robert-boskovic-umetnicima-u-hrvatskoj-teze-nego-u-srbiji/
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Guy Montavon has been General Manager of the Theater Erfurt and Artistic Director of the Domstufen Festival in Erfurt since August 2002.
Montavon was born in Geneva in 1961, where he first obtained a diploma as a bassoonist at the
conservatory and worked as an assistant director at the "Grand Théâtre de Genève". He then studied
music theater direction at the Hamburg University of Music and Performing Arts in Götz Friedrich's class. As an assistant to the director Giancarlo del Monaco, Guy Montavon worked at the opera houses in Hamburg, Berlin, Stuttgart, Bregenz, Barcelona, Macerata and at the Metropolitan Opera in New York.
After completing his studies in 1986, he staged productions at the Hamburg State Opera, in Livorno,
Bremerhaven, Pisa, Lyon, St. Gallen, Montpellier and Saarbrücken. In the meantime, Montavon's places of artistic activity also included Munich, Riga, Monte Carlo, Nice and Parma.
From 1985 to 1988 he was assistant director and research assistant at the Bremen Theater, from 1992 to 1995 he was permanently employed as chief director and deputy opera director at the Bonn Opera. Guy Montavon staged Bizet's Carmen for the opening of the Finnish National Opera in December 1993. From 1996 he was artistic director and managing director of Stadttheater Gießen GmbH, a three-section theater with around 200 employees.
As General Manager of the Theater Erfurt, Guy Montavon initiated a cycle of world premieres and in
September 2005 he directed the world premiere of Philip Glass' opera Waiting for the Barbarians. This
production was shown at the Amsterdam Opera in September 2006 and went to Austin / Texas in 2007. In June 2008, the house guested with a concert performance at London's Barbican Hall. For the Erfurt Domstufen Festival he has staged Friedenstag (2003), Cavalleria rusticana (2007) and Die Zauberflöte (2011) as well as the Verdi opera Die Lombarden (2012).
Guy Montavon is a jury member for well-known singing competitions in Paris, Bilbao, Trnava, Barcelona, Verviers and Montreal, among others. In addition, he is chairman of the Thuringian regional association of the German Theater Association and a board member of the Sparkassen Kulturstiftung as well as general secretary of the French artistic directors' association "Chambre professional des Directeurs d'Opéra".Montavon has been a member of the board of directors of Jeunesses Musicales Germany for more than 15 years. He regularly teaches at the Universities of Tokyo and Montreal.
In 2008, Montavon was honored with the French Chevalier des Arts et des Lettres (Order of Arts and
Literature).In January 2013, the native of Geneva was also officially appointed Honorary Consul of Switzerland for Thuringia. In this honorary post, Montavon supports the work of the Swiss embassy in Germany and helps, among other things, to arrange or intensify business contacts.
External link: https://www.guy-montavon.eu/
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Aleksandar Nikolić has started his carrier as a stage director engaged in the Opera of the
National Theater in Belgrade from the season 2009/10 for maintaining and reviving the current
repertoire.
In addition to theater directing at the Faculty of Drama Arts in Belgrade, he also studied art
history (Faculty of Philosophy, Belgrade), industrial design (Belgrade Polytechnic), piano and
music theory (1992-2004.). Hi did his professional upgrading in Brescia (Italy), Hanover
(Germany) and Thessaloniki (Greece).
From June 2015. Aleksandar Nikolić is engaged as professor (maitre de conferences)
Belgrade Dance Institute for subjects “Stage directing in opera and ballet”, “Libretto Anatomy“ and
“Stage director’s analysis of the music”.
In season 2015/16. Aleksandar Nikolić was engaged in Royal Opera House Covent Garden.
From the season 2016/17 he was engaged in international masterclasses (Israel, SAD and Belgrade)
devoted to interpretation of a music and verbal text in the Italian and French opera repertoire.
Selection of productions
“Don Giovanni”, „Viva la mamma“ (National Theatre in Sarajevo, Bosnia and Herzegovina)
“Le conevinienze ed inconevinienze teatrali ” (Croatian National Theatre in Rijeka, Croatia)
“Faust”, “Rigoletto” (Serbian National Theatre in Novi Sad, Serbia)
“L’incoronazione di Poppea”,“La serva- padrona”, “Melancholic Dreams of Count Sava Vladislavich”,
“Shakespeare: Sonnets”, “Nella note densa… In the dark night…” (National Theatre in Belgrade,
Serbia)
“Don Giovanni”, “Hagar and Ishmael”, “Sammy and Remmy” (Universal Arts Festival, Boston, SAD)
“Don Giovanni” (GIPAC Association, Kombank hall, Belgrade)
„Viva la mamma“, “Pyramus and Thisbe”, “Fledermaus” (Israeli Center of Excellence, Jerusalem, Israel)
“Carmina Burana” (Sava center, Belgrade, Serbia)
“The Magic Mountain” (Velenje Festival and CC Vuk Karadžić)
“Blasphemy in the Valley of St Florian” (Balkan Dance Festival, Coproduction of Bosnia, Serbia, Slovenia)
“Il barbiere di Siviglia" (Vrnjačka Banja Summer Festival, Serbia)
„That Crazy Girl“, “The Last Dream of Milutin Milanković”, “Pierrot lunaire” (Opera and Theatre
Madlenianum in Belgrade, Serbia)
“Marat/Sade”(Belgrade Dance Institute, Serbia)
“The Mysterious Stranger” / “The Studies of a Wild Gees”/ ”The Days of the Paris Commune” (Teatro
Filodamatika, Rijeka, Croatia)
(National Theater, Belgrade)
Since 2009. Aleksandar Nikolić has been actively engaged in charity work, organizing and
directing donor concerts and charity galas featuring renowned Serbian opera singers and actors
which raised significant funds for children and mothers affected systemic deseases.c
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Kobie van Rensburg – started his vocal studies with Prof. Werner Nel while studying for graduate and post-graduate degrees in Law and International Politics, obtaining both cum laude, at the Northwest University of South Africa. The lyric tenor made his professional debut at the early age of twenty, singing Belmonte in Mozart’s Entführung aus dem Serail for the Roodepoort City Opera in 1991, quickly followed by engagements at the opera houses of Capetown, Durban and Pretoria.
After winning the concert section of the 1994 UNISA International Singing competition, he joined the studio of the Bavarian State Opera and shortly afterwards Munich’s Staatstheater am Gärtnerplatz. Regular guest engagements at such renowned opera houses as the Metropolitan Opera in New York, the Berlin-, Munich-, and Stuttgart State Theatres, San Francisco, Seattle, the Théâtre du Châtelet and the Théâtre des Champs-Elysées in Paris, the Vienna Volksoper, Opéra National du Rhin, Opéra National de Montpellier, the Teatro Sao Carlos in Lissabon and Teatro Real in Madrid soon followed. His operatic repertoire of more than 50 leading roles, ranged from the early operas by Monteverdi to Wagner and several world premieres of modern pieces, but his main focus was on repertoire of the 17th and 18th century and historically informed performance practice. He regularly collaborated with conductors such as René Jacobs, Sir John Eliot Gardiner, Nikolaus Harnoncourt, Christopher Hogwood, Christophe Rousset, Jean Claude Malgoire, Ivor Bolton, Bruno Weil, Lorin Maazel, Sir Geoffrey Tate und James Levine. He recorded several prizewinning CD’s (Grammy Award for Best Opera Recording and Gramophone Record of The Year Award) and Live DVD Recordings of Monteverdi, Händel, Mozart, and Rossini Operas.
In 2007 he made his debut as stage director with an acclaimed production of Monteverdi’s L’Orfeo for the Halle Opera house in collaboration with the Halle Händel Festival. Productions of various operas in Germany, Austria, South Africa and Switzerland followed, allowing him to develop a unique visual style, incorporating dramaturgical videography and multimedia elements such as interactive, animated translations and 3D graphics as part of the set. His most recent productions include a celebrated Monteverdi Trilogy for the Landestheater Niederbayern in Passau, Händel’s La Resurrezione for the Halle Händel Festival and RadialsystemV in Berlin, Mozart’s Le Nozze di Figaro, Don Giovanni and Barbiere di Siviglia for Theater Krefeld-Mönchengladbach, Rossini’s Cenerentola in Chemnitz and Mozart’s Zauberflöte and Händel’s Ariodante in Münster.
He cultivates a special interest in the creation of pastiche operas: His baroque farce, Ein Theater nach der Mode for the Staatstheater am Gärtnerplatz, created with Peer Boysen, was recorded for broadcast by the Bayerische Runkfunk and was revived for four seasons, while his 17th century drama, Il Pianto d’Orfeo, created for RadialSystemV in Berlin, was also revived at the Festspielhaus St. Pölten in Austria.
He regularly teaches masterclasses in singing and historically informed performance practice in Germany, Austria and South Africa. Between 2003 and 2010 he was a Guest Professor of Music at the Northwest University in Potchefstroom, where he also chaired the 2nd International Singing Symposium and directed a student production of his 17th century pastiche opera, Tirsi, Clori et Fileno. In 2010 he founded the Early Music Forum Africa and in cooperation with the NWU produced and directed the first South African production of a Handel opera (Acis and Galatea) with period instruments. He is deeply committed to the development of opera in South Africa, especially in underprivileged communities and serves as Director of the Umculo Opera Incubator since 2015.
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LA CENERENTOLA (ASCHENPUTTEL), Die Theater Chemnitz |
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Der Barbier von Sevilla |
- Ozren Prohić wurde 1968 in Zagreb/Kroatien geboren, wo er sein Abitur an einem klassischen Gymnasium machte.
- 1992 machte er sein Diplom im Fach Regie an der Akademie der Künste in Zagreb.
- 1993 beendete er sein Literaturstudium mit Diplom an der Philosphischen Fakultät in Zagreb. diplomirao je književnost na Filozofskom fakultetu u Zagrebu
- 1995 machte er seinen Magister-Abschluss (master of sciences) an der Philosophischen Fakultät in Zagreb
- 1994.-1997 ist er der Stellvertreter des Direktors (deputy manager) am Theaters der Jugend (Zagrebačko kazalište mladih/Zagreb Youth Theatre)
- 1997.-1998 ist er Künstlerischer Direktor am Schauspiel des Staatstheaters in Split und der Direktor des Schauspielprogramms des Festivals Splitsko ljeto (Split summer festival)
- 1998 wird er Assistent an der Akademie der Künste in Zagreb im Fach Theaterregie
- 2002 wird er Dozent an der Akademie der Künste
- 2006 wird er Gastprofessor
- Seit 2012 Professor an der Akademie der
- 2004-2008 wird er zum leitenden Professor für Theaterregie an der Akademie
- 2007-2012 ist er künstlerischer Direktor der Oper des Kroatischen Staatstheaters Ivan von Zajc in Rijeka
- 2005-2012 ist er Mitglied des Aufsichtsrats des koratischen Theaterinstituts (INTERNATIONAL THEATRE INSTITUTE)
Bis heute inszenierte er mehr als 50 Schauspielstücke in nahezu allen Theatern in Kroatien, auf allen Festivals in Kroatien und in einigen Theatern in Sarajevo. Er gastierte mit seinen Inszenierungen gastierten auf zahreichen Festivals in Kroatien, Bosnien und Herzegowina, Deutschland, Mazedonien, Montenegro, Slowenien, der Tschechei, Italien, Lettland...
Opern inszenierte er in allen Opernhäusern Kroatiens (Staatsoper Zagreb, Split, Rijeka, Osijek, den Opernfestivals in Split) und auch in Sarajevo (Staatsoper Sarajevo), Novi Sad (Staatstheater Novi Sad/Serbien), am Theater in Koblenz/Deutschland und Riga/Lettland (Nationaloper Latvias Nacionala Opera).
Schauspielinszenierungen:
F. Kafka: Der Prozess/Proces, Nationaltheater/ HNK Varaždin, 1994.,
F. M. Dostojewski: Die Brüder Karamasow/Braća Karamazovi, Nationaltheater/HNK Split, 1998.,
W. Schwab: Die Präsidentinnen/Predsjednice, Teatar &td, Zagreb, 1997.,
G. E. Lessing: Nathan der Weise/Nathan mudri, NP Sarajevo, 2000.,
Sofoklo/Sophokles: König Ödipus/Kralj Edip, Nationaltheater/HNK Varaždin, 2004.,
Euripid/Euripides: Herakles/Heraklo-Alkestida, Staatstheater/HNK Zagreb, 2004.,
P. Weiss: Wie dem Herrn Mockinpott das Leiden ausgetrieben wird/Patnje gospodina Mockinpotta, Komedija, Zagreb, 2005.,
Aischylos/Eshil: Die Orestie/Orestija, Dubrovnik summer festival, 2006.,
M. Bulgakov: Meister und Margarita/ Majstor i Margarita, Stadttheater Gavella Zagreb/Gradsko kazalište "Gavella", Zagreb, 2006.,
Tschechow/Čehov: Onkel Vanja/Ujak Vanja, Kammerspiele/Kamerni teatar 55, Sarajevo, 2007.,
Sophokles/Sofoklo: Antigone, Staatstheater/Talijanska drama HNK Ivan von Zajc, Rijeka
Operninszenierungen:
Rossini: Il Turco in Italia, Staatstheater/HNK Split, 1998.,
Verdi: Rigoletto, Staatstheater/HNK Split, 2000.,
Verdi: Attila, Sommerfestspiele/Splitsko ljeto, 2000.,
Mascagni: Cavalleria rusticana
Puccini: Gianni Schicchi, Staatstheater HNK I. von Zajc, Rijeka, 2002.,
Strawinsky: Oedipus Rex - Symphony of Psalms, Sommerfestspiele Splitsko ljeto, 2002.,
Verdi: Nabucco, Staatstehater HNK Ivan von Zajc, Rijeka, 2003.,
Mozart: Figaros Hochzeit/Le nozze di Figaro, Nationaltheater/Narodno pozorište Sarajevo, 2003.,
Ponchielli: La Gioconda, Staatstheater HNK I. von Zajc, Rijeka
Rossini: Der Barbier von Sevilla/ Il barbiere di Siviglia, Nationaltheater/Narodno pozorište Sarajevo, 2005.,
Monteverdi: L'Orfeo, Staatstheater/HNK Zagreb, 2008.,
Verdi: Macbeth, Staatstheater/HNK I. von Zajc Rijeka 2008.,
Mozart: Cosi fan tutte, Theater Koblenz, 2009.,
Cilea: Adriana Lecouvreur, Staatstheater/HNK I. von Zajc Rijeka, 2010.,
Tschaikowsky/Čajkovski: Mazepa, Staatstheater/HNK Zagreb,
Janaček: Jenufa, Staatstheater/HNK Zagreb, 2012.,
Vrebalov: Mileva, Staatstheater/Srpsko narodno pozorište, Novi Sad, 2011.,
Tschaikowsky/ Čajkovski: Mazepa, Nationaloper Lettland/LATVIAS NATIONALA OPERA, Riga, 2012.,
Smetana: Die verkaufte Braut/Prodana nevjesta, Staatstheater/HNK Zagreb, 2013.
Britten: Schraubendrehungen/The Turn of the Screw, Staatstheater/HNK I. von Zajc, Rijeka, 2012.
Galerie
Antigone
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Barbier von Sevilla
{gallery width=80 height=80}kunstler/ozren_prohic/barbier_von_sevilla{/gallery}
Die Brüder Karamasow
{gallery width=80 height=80}kunstler/ozren_prohic/bruder_karamasow{/gallery}
Cosi fan tutte
{gallery width=80 height=80}kunstler/ozren_prohic/cosi_fan_tutte{/gallery}
Jenufa
{gallery width=80 height=80}kunstler/ozren_prohic/henufa{/gallery}
Herakles
{gallery width=80 height=80}kunstler/ozren_prohic/herakles{/gallery}
Macbeth
{gallery width=80 height=80}kunstler/ozren_prohic/macbeth{/gallery}
Mazeppa
{gallery width=80 height=80}kunstler/ozren_prohic/mazeppa{/gallery}
Nabucco
{gallery width=80 height=80}kunstler/ozren_prohic/nabucco{/gallery}
Ödipus
{gallery width=80 height=80}kunstler/ozren_prohic/odipus{/gallery}
Orfeo
{gallery width=80 height=80}kunstler/ozren_prohic/orfeo{/gallery}
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