MARTA HADŽIMANOV

 SOPRAN

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kristina kolar (11)

Serbian soprano Marta Hadzimanov is currently based in Germany,
where she is pursuing dual Master’s degrees in Opera and
Concert/Lied at the State University of Music and Performing Arts
Mannheim under the guidance of Prof. Caroline Melzer, following the
completion of dual Bachelor’s degrees with Prof. Snežana
Stamenković.
Her recent and forthcoming operatic engagements include Countess
Almaviva in Mozart’s Le nozze di Figaro at the Bergen National Opera
Summer Academy “Opera by the Fjord”, Adina in Donizetti’s L’elisir
d’amore at the Operosa Festival Montenegro, the title role in Handel’s
Alcina, Gretel in Humperdinck’s Hänsel und Gretel, Najade in R. Strauss’s Ariadne auf Naxos, and Titania
in the Traum-Nacht-Sommer project based on Shakespeare's A Midsummer Night's Dream, with music
by B. Britten and F. Mendelssohn at the Oper Oder Spree Festival.
She performed at Carnegie Hall as part of the Sound Espressivo Laureate Gala, presenting a programme
of opera arias, art songs, and contemporary repertoire. She has appeared as a featured soloist at Vienna’s
St. Sava Ball at the Hofburg Palace, performing with the Symphony Orchestra of the Serbian National
Theatre, and made her debut as a soloist in Poulenc’s Gloria at the Berliner Philharmonie.
She also recorded as a soloist for the radio broadcasters SWR Stuttgart and Deutschlandfunk Cologne,
performing classical and contemporary repertoire in collaboration with the artistic patron Prof. Axel Bauni.
Her awards include First Prize at the International Mozart Competition Vienna, First Prize and Special
Prize at the Young Artist Competition “Daleki akordi” in Split, Third Prize at the Paula Salomon-Lindberg
Competition “Das Lied” in Berlin, and three special prizes at the Oper Oder Spree Festival. She is also a
recipient of multiple merit-based scholarships, including the Deutschlandstipendium.
At the age of 17, Marta made her professional theatre debut as Christine Daaé in Andrew Lloyd Webber’s
The Phantom of the Opera at the National Musical Theatre in Belgrade, where she performed the role
for three consecutive seasons.
Her artistic development has been further enriched through active participation in masterclasses with
renowned artists such as Lisette Oropesa, Rudolf Piernay, David Bižić, Claudia Visca, Snežana Brzaković,
Jean-Noël Briend, Eva Blahová, Solveig Kringlebotn, and Peter Mattei.

 

Repertoire | List of Performed Roles · Arias · Oratorio · Art Songs
_______________________________________________________________
ROLES – most recent first
G. Donizetti
• ADINA, L’elisir d’amore
W.A. Mozart
• CONTESSA ALMAVIVA, Le nozze di Figaro – abridged version
R. Strauss
• NAJADE, Ariadne auf Naxos
E. Humperdinck
• GRETEL, Hänsel und Gretel – children’s opera, abridged version for young audiences
G.F. Händel
• ALCINA, Alcina
B. Britten / F. Mendelssohn
• TITANIA, Traum-Nacht-Sommer / A Midsummer Night’s Dream – opera project, adapted version
W.A. Mozart
• PAPAGENA, Die Zauberflöte
G. Bizet
• FRASQUITA, Carmen
A.L. Webber
• CHRISTINE DAAÉ, The Phantom of the Opera
_________________________________________________________________
ARIAS · Opera & Operetta – by period
G.F. Händel
• Neghittosi, or voi che fate – Dalinda’s aria from Ariodante
• Di cor mio – Alcina’s aria from Alcina
• Sì, son quella – Alcina’s aria from Alcina
• Ah mio cor – Alcina’s aria from Alcina
• Ah Ruggiero crudel... Ombre pallide – Alcina’s aria from Alcina
• Mi restano le lagrime – Alcina’s aria from Alcina

W.A. Mozart
• L’amerò, sarò costante – Aminta’s aria from Il re pastore
• Porgi, amor – Contessa Almaviva’s aria from Le nozze di Figaro
• Giunse alfin il momento... Deh vieni, non tardar – Susanna’s aria from Le nozze di Figaro
• Ah fuggi il traditor – Donna Elvira’s aria from Don Giovanni
• In quali eccessi... Mi tradì quell’alma ingrata – Donna Elvira’s aria from Don Giovanni
• Una donna a quindici anni – Despina’s aria from Così fan tutte
• Ach, ich fühl’s – Pamina’s aria from Die Zauberflöte
G. Spontini
• O nume tutelar – Julia’s aria from La vestale
Carl Maria von Weber
• Einst träumte meiner sel’gen Base – Ännchen’s aria from Der Freischütz
G. Rossini
• Una voce poco fa – Rosina’s aria from Il barbiere di Siviglia
G. Donizetti
• Prendi, per me sei libero – Adina’s aria from L’elisir d’amore
• Il faut partir – Marie’s aria from La fille du régiment
• Ah! Tardai troppo... O luce di quest’anima – Linda’s aria from Linda di Chamounix
Otto Nicolai
• Nun eilt herbei – Frau Fluth’s aria from Die lustigen Weiber von Windsor
J. Strauss II
• Mein Herr Marquis – Adele’s aria from Die Fledermaus
J. Massenet
• Adieu, notre petite table – Manon’s aria from Manon
G. Puccini
• Quando m’en vo – Musetta’s aria from La bohème
• O mio babbino caro – Lauretta’s aria from Gianni Schicchi
F. Lehár
• Vilja-Lied – Hanna Glawari’s aria from Die lustige Witwe
G. Gershwin
• Summertime – Bess’s aria from Porgy and Bess
D. Moore
• The Willow Song – Baby Doe’s aria from The Ballad of Baby Doe

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ORATORIO | CONCERT – by period
A. Scarlatti
• Caldo sangue – Ismael’s aria from the oratorio Il Sedecia, re di Gerusalemme
G.F. Händel
• Dixit Dominus, HWV 232
A. Vivaldi
• Gloria, RV 589
J.S. Bach
• Magnificat, BWV 243
G. Rossini
• Petite messe solennelle
G. Fauré
• Pie Jesu from Requiem, op. 48
F. Poulenc
• Gloria
_________________________________________________________________
ART SONGS – by period
W.A. Mozart
• An Chloë, K. 524
• Als Luise die Briefe..., K. 520
• Abendempfindung, K. 523
• Die Zufriedenheit, K. 473
C.F. Zelter
• Gleich und gleich
• Nähe des Geliebten
F. Silcher
• Frage
F. Schubert
• Klärchens Lied
• Amalia
• Nähe des Geliebten

F. Mendelssohn
• Suleika op. 34 No. 4
• Suleika op. 57 No. 3
R. Schumann
• Er ist’s
• Schneeglöckchen, op. 79 No. 27
• Des Sennen Abschied
• Der Nussbaum
F. Liszt
• Ich scheide
• S’il est un charmant gazon
• Oh! Quand je dors
• Comment, disaient-ils
F. Abt
• Schlafe wohl

J. Brahms
• Lerchengesang
• Immer leiser wird mein Schlummer
• Komm bald
L. Delibes
• Les filles de Cadix
G. Fauré
• Clair de lune
• Nell
E. Dell’Acqua
• Villanelle
H. Wolf
• Die Spröde
• Die Bekehrte
• Erstes Liebeslied eines Mädchens
R. Strauss
• Die Nacht
• Frühlingsgedränge
M. Ravel
• Sainte
• Ballade de la Reine morte d’aimer
P. Krstić
• Nimfa
R. Trunk
• Brautwerbung
S. Donaudy
• O del mio amato ben

S. Prokofiev
• The Sun Has Filled the Room
• True Tenderness
P. Hindemith
• Ich will Trauern lassen stehn
• Du bist mein
• Abendständchen
• Abendwolke
• Wer wußte je das Leben recht zu fassen
E. Krenek
• Nur ein Wort
V. Kaprálová
• Sbohem a šáteček, op. 14
U. Mamlok
• On top of a hill
G. Katzer
• Hymnus
A. Reimann
• Taj Mahal
T. Medek
• Das Kindlein am Himmelstor
M. Trojahn
• Ophelia
W. Rihm
• Patrouille
Ivan Violić
• Lux Aeterna
• De Profundis

 


Galerie


 

Video

ytbtn O mio babbino caro, Lauretta · Marta Hadžimanov
ytbtn Frau Fluth “Nun eilt herbei” · Die lustigen Weiber von Windsor, O. Niccolai
ytbtn L'elisir d'amore "Prendi, per me sei libero", Adina · Marta Hadžimanov
ytbtn Marta Hadzimanov | "Ah! Mio cor" ALCINA, Händel
ytbtn Lerchengesang, J. Brahms · Carnegie Hall · Marta Hadzimanov
ytbtn Marta Hadzimanov | "Ah! Ruggiero crudel…Ombre pallide" Alcina, Händel
ytbtn Ophelia, M. Trojahn · Marta Hadzimanov